Every market it charts in Clear BIRDS OF A FEATHER Billie Eilish
Song page Accent is a market it is climbing in; solid ink is a market it is charting in without a rise we can measure. A song that crawls from one market to its neighbours draws a different picture from one that lands in fifty on the same morning. The picture is the answer.
Market by market np Nepal 06 la Laos 11 mv Maldives 13 no Norway 16 dk Denmark 17 iq Iraq 18 ng Nigeria 19 se Sweden 20 pl Poland 21 my Malaysia 21 gb United Kingdom 22 at Austria 22 ae United Arab Emirates 23 br Brazil 23 it Italy 23 ch Switzerland 24 uz Uzbekistan 25 tn Tunisia 25 nl Netherlands 25 au Australia 26 ca Canada 26 de Germany 28 be Belgium 28 ie Ireland 30 kh Cambodia 33 sg Singapore 36 ma Morocco 39 us United States of America 41 ee Estonia 42 cl Chile 48 pt Portugal 48 cz Czechia 52 sa Saudi Arabia 58 tr Turkey 61 id Indonesia 72 ua Ukraine 73 mm Myanmar 73 ye Yemen 75 mn Mongolia 76 ph Philippines 83 jo Jordan 87 qa Qatar 91 kw Kuwait 92 bh Bahrain 92 nz New Zealand 93 th Thailand 94 tw Taiwan 105 hk HK 112 is Iceland 129 lt Lithuania 147 za South Africa 174 lv Latvia 185 pa Panama 186
Playing nowhere else 17 of its top 20 records are charting in no other market we capture.
Fastest risers here +74 Husn Anuv Jain Measured in our ledger
np 100 -> 26 (2026-08-07..2026-08-08)
Charting here today The Rotation chart → Coverage is uneven and stated rather than smoothed: Spotify reaches 73 markets, Shazam 71 countries and 173 cities, Deezer 70, Boomplay 19, and several markets rest on a single source. An empty market on this globe means we captured nothing there today.
Data: Spotify, Shazam, Apple Music, YouTube · Chart: Rotation