Levels
Avicii
- Key
- E major
- Camelot
- 12B
- BPM
- 123.5
Key confidence medium · relative C# minor (12A) · BPM confidence medium · half-time 61.7 · measured from the full recording · 2026-09-12 · essentia.js@2.1-beta6-dev
The full sheet: this record in Dig. Same engine, your files: drop a crate in the analyzer.
As of 2026-09-20, "Levels" by Avicii has charted in 27 markets across 4 platforms, peaking at #7 (GB) on the Rotation chart. Measured from the full recording, it reads E major (12B) at 123.5 BPM.
- Markets
- 27
- First seen
- 2026-07-20
- Latest chart date
- 2026-09-20
- Peak
- #7 gb
Started in 11 markets, now in 27.
Momentum
This song has not appeared on a Rotation chart, so it has no score and no receipts. The rank history below is the ledger; a score is only published once the momentum run puts it on a chart.
Why it's here
The track weaves in a gospel-inspired vocal sample from Etta James's 'Something's Got a Hold on Me,' described by Billboard as 'a heavenly siren's call beaming down on the masses.' [1] It was nominated for Best Dance Recording at the 55th Annual Grammy Awards in 2013 after winning Best Song at the 2012 Grammis Awards. [2] It stands as Avicii's breakout hit and signature song, cited as one of the first commercially successful tracks in EDM's early-2010s mainstreaming in the United States. [3]
In culture
Every place this record has lived. A solid chip states a fact and carries the citation that earns it; a dashed one is a connection somebody drew, and carries their name instead.
- Written by Arash Pournourisource
- Written by Tim Berglingsource
- Written by Etta Jamessource
- Written by Leroy Kirklandsource
- Written by Pearl Woodssource
- Covered Walt Ribeirosource
- Covered Defiant DJssource
- Covered Kidz Bopsource
- Covered USC Trojan Marching Bandsource
- Covered Sheet Music Bosssource
- Covered Stephan Bakersource
- Covered Erocksource
Across markets · earliest pickup first
Every date here is the date the source chart covers, never the date we fetched it. Sources publish on different lags: the Spotify mirror runs about two days behind, TurnTable publishes weekly. One recording, one history: this table also counts the rows sources published under 1 other handle of this record (remasters, official videos).
- MarketFirst seenPeak
- United Kingdomgb · shazam · 8 cities#84#7#84
- Belgiumbe · shazam#195#14#195
- Canadaca · shazam#47#18#47
- Brazilbr · shazam#30#20#30
- United Statesus · shazam#42#22#42
- Australiaau · shazam#65#26#65
- Mexicomx · shazam#75#33#75
- Spaines · shazam#80#37#80
Worldwide feeds · not markets
A source's own worldwide chart. These are feeds, not places, so they are kept out of the market count above.
- MarketFirst seenPeak
- World feedworld · shazam#64#34#64
City pickups
City charts record their parent country as the market, so these do not add to the market count above. One line per country: how many of its rooms picked the song up, and the best of them.
- gb 8 cities · best #7 glasgow
Listen
Editions
No published edition carries this song yet. Every edition it appears in will be listed here and stay listed: an edition is immutable, so a citation to one never rots.
Identity
- ISRC
- Not known yet
- Slug
- avicii__levels
- Sources
- applemusic, deezer, shazam, spotify
About a sixth of the catalogue carries an ISRC today and the share grows nightly. Until one arrives this song is joined on its slug alone, which can merge or split.
Crude v0 identity: slug(artist)__slug(title).
Every source whose chart has ever carried this song.
What moved this week, and why.
The records that climbed, what broke in one place first, what came back. One email on Friday, assembled from the week's charts, with a pressing when there is one.
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