WE ON GO
BIA
As of 2026-11-11, "WE ON GO" by BIA has charted in 63 markets across 4 platforms, peaking at #2 (BR) on the Rotation chart.
- Markets
- 63
- First seen
- 2026-07-20
- Latest chart date
- 2026-11-11
- Peak
- #2 br
Picked up in 52 markets on the same chart date.
Why it's moving
- #40 on Shazam in 35 countriesOct 25
- On Shazam in 25 countries, up from 10Oct 15–25
- Climbed #82 → #59 in Türkiye on ShazamOct 18–25
- Climbed #31 → #20 in Australia on ShazamOct 18–25
- Climbed #169 → #115 in Brazil on ShazamOct 18–25
- Climbed #195 → #130 in Canada on ShazamOct 20–25
Score 65.3
Why it's here
BIA's "WE ON GO," produced by Honorable C.N.O.T.E. and TBHits, was released as a single on May 2, 2025 after being made for the 2025 NCAA Women's Final Four and marquee WNBA games. [1] ESPN selected the track as the anthem for its WNBA season launch campaign and used it throughout its WNBA coverage, and BIA performed it to tip off the 2025 AT&T WNBA All-Star Game. [2] Its role as a women's basketball broadcast anthem — soundtracking marquee WNBA and NCAA Women's Final Four telecasts on ESPN — recurs with each basketball calendar, including the late-August stretch that closes the WNBA regular season. [3]
Across markets · earliest pickup first
Every date here is the date the source chart covers, never the date we fetched it. Sources publish on different lags: the Spotify mirror runs about two days behind, TurnTable publishes weekly.
- MarketFirst seenPeak
- Brazilbr · shazam · 1 city#12#2#12
- Malaysiamy · deezer shazam#14#2#14
- Mexicomx · shazam · 1 city#20#3#20
- Türkiyetr · shazam · 6 cities#13#5#13
- Germanyde · shazam · 1 city#49#6#49
- Tunisiatn · applemusic shazam#200#6#200
- Canadaca · shazam · 5 cities#46#7#46
- United Arab Emiratesae · deezer shazam · 1 city#143#8#143
Worldwide feeds · not markets
A source's own worldwide chart. These are feeds, not places, so they are kept out of the market count above.
- MarketFirst seenPeak
- World feedworld · shazam#29#5#29
- Global feedglobal · tiktok#50#34#50
City pickups
City charts record their parent country as the market, so these do not add to the market count above. One line per country: how many of its rooms picked the song up, and the best of them.
- tr 6 cities · best #33 izmir
- ca 5 cities · best #31 edmonton
- in 3 cities · best #8 mumbai
- ru 2 cities · best #39 saint petersburg
- us 2 cities · best #31 salt lake city
- ae 1 city · best #20 dubai
- br 1 city · best #36 rio de janeiro
- de 1 city · best #35 frankfurt am main
- kr 1 city · best #27 seoul
- mx 1 city · best #42 puebla
- ua 1 city · best #27 kyiv
Listen
Editions
- 2026-10-25Chart-only edition#36
- 2026-10-24Chart-only edition#47
- 2026-09-17Chart-only edition#29
- 2026-08-22Chart-only edition#42
- 2026-08-21Chart-only edition#29
- 2026-08-20Chart-only edition#28
- 2026-08-19Chart-only edition#30
- 2026-08-18Chart-only edition#47
- 2026-08-12Chart-only edition#20
- 2026-08-11Chart-only edition#18
- 2026-08-10Chart-only edition#19
- 2026-08-09Chart-only edition#24
Identity
- ISRC
- USSM12500842
- Slug
- bia__we-on-go
- Sources
- applemusic, deezer, shazam, tiktok
The cross-platform join key, via Deezer.
Crude v0 identity: slug(artist)__slug(title).
Every source whose chart has ever carried this song.
What moved this week, and why.
The records that climbed, what broke in one place first, what came back. One email on Friday, assembled from the week's charts, with a pressing when there is one.
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