Maneater
Daryl Hall & John Oates
- Key
- B minor
- Camelot
- 10A
- BPM
- 89.1
Key confidence medium · relative D major (10B) · BPM confidence medium · double-time 178.2 · measured from the full recording · 2026-09-13 · essentia.js@2.1-beta6-dev
The full sheet: this record in Dig. Same engine, your files: drop a crate in the analyzer.
"Maneater" by Daryl Hall & John Oates has charted in 15 markets across 4 platforms, peaking at #10 (HN) on the Rotation chart. Measured from the full recording, it reads B minor (10A) at 89.1 BPM.
- Markets
- 15
- First seen
- 2026-07-20
- Latest chart date
- 2026-09-12
- Peak
- #10 hn
Started in 2 markets, now in 15.
Momentum
This song has not appeared on a Rotation chart, so it has no score and no receipts. The rank history below is the ledger; a score is only published once the momentum run puts it on a chart.
Across markets · earliest pickup first
Every date here is the date the source chart covers, never the date we fetched it. Sources publish on different lags: the Spotify mirror runs about two days behind, TurnTable publishes weekly.
- MarketFirst seenPeak
- Perupe · deezer shazam · 1 city#84#17#84
- Chilecl · deezer shazam#166#76#166
- Boliviabo · deezer#85#29#85
- El Salvadorsv · deezer#71#71#71
- Netherlandsnl · spotify#192#174#192
- Hondurashn · deezer#90#10#90
- Costa Ricacr · deezer#82#73#82
- Argentinaar · shazam#193#114#193
City pickups
City charts record their parent country as the market, so these do not add to the market count above. One line per country: how many of its rooms picked the song up, and the best of them.
- pe 1 city · best #42 lima
Listen
Editions
No published edition carries this song yet. Every edition it appears in will be listed here and stay listed: an edition is immutable, so a citation to one never rots.
Identity
- ISRC
- USRC10301821
- Slug
- daryl-hall-john-oates__maneater
- Sources
- applemusic, deezer, shazam, spotify
The cross-platform join key, via Deezer.
Crude v0 identity: slug(artist)__slug(title).
Every source whose chart has ever carried this song.
A new pressing every week.
The records moving and what moved them, plus the occasional note about something we have built.
Confirm by email. One tap to leave. What we hold